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The electric guitar is a derivative musical instrument of the acoustic guitar.
The name “guitar” can refer to a number of stringed instruments, including the electric guitar itself.
Therefore, despite the term guitar be considered as an electric guitar abbreviation in Brazil, do not be surprised if you see this term referring to other instruments as well.
One of the motivations for the invention of the electric guitar was the fact that the classical guitar is too “shy” to contribute to the music produced by some bands, which started to become evident in concerts around 1880s.
The guitar was invented independently by many people around the years 1920 – 1930, but the solid wood guitars began to be designed and perfected even from 1940s. A specialized technician repair radios named Leo Fender (yes, that was the founder of Fender brand) was the first to produce on a commercial scale solid body guitars, which he christened Broadcaster (name would be changed to later Telecaster). To compete with Fender, the factory of Gibson instruments, which was producing electric guitars with pickups at the time, invited the musician Les Paul to redesign a model developed by him. Some say that in the middle of this “fight” there was also the influence of a Brazilian musician and electrotechnical called Adolfo Nascimento (Dodo), who was trying to amplify your ukulele using pickups along with his friend Osmar Macedo. The result was the emergence of “Pau Elétrico” in 1944. Some argue that this invention came at the hands of Americans after a few sailors passed by Bahia, also influencing the development of the guitar. But the online guitar lessons started after the rise of the internet.
How the guitars work?
The guitar operating principle is in raising the frequency of vibration of the strings through the pickups. Magnets, coils and circuits located close to the ropes in different parts of the guitar body transmit signals (with frequencies) to be amplified and reproduced by the amplifiers.
What sets the timbre of a guitar
There are several factors that define the timbre of a guitar. Among them, we can highlight:
- Types of wood which constitute the instrument;
- The type and quality of the binders (along with their location);
- The diameter, the quality and age of the guitar strings.
Another important detail is that the pitch of a guitar is conditional on the quality of other equipment, such as cable and amplifier. Low quality equipment can compromise the pure, original sound of a guitar, so it must always be taken into consideration.
New Musical Styles
The evolution and popularization of the guitar also stimulated the creation of new musical styles that revolved around the instrument, such as rock and its variations. By having a strong sound, the guitar has become very popular in its use in soils in various contexts. One of the guitar features is precisely its versatility, to be able to convey different feelings when used as a harmonic instrument (bases and chords) and melodic (solos and vocals).
What does a guitar player be good?
As we are talking about guitar lessons, we could not fail to mention the definition of “good guitarist”. For beginners on the guitar, it is often said “the fast the better.” That is, a guitarist can play the faster, the better it is. After some experience, the student begins to realize that “speed is not everything,” ie, you must also have feeling, playing with feeling to be melodic. The combination of these two factors makes a guitarist be good, right? Wrong! What does a musician be good depends on many other issues. First, the style we’re talking about.
A good guitarist can be very good in the metal world, but weak in the jazz world, for example. There are many good guitarists with his right hand, making a very quick read of the times and that ones who have a lot of swing. Others are chord melody experts. In general, there is no way to define is a guitarist is good or not without defining the universe of which we are speaking. And why a fast and melodic guitar can not be considered a “good guitarist”? After all, this one can play anything! Well, understand the following:
Different styles require different skills. Running (or play) is just one of the skills a musician can develop. Musicians scholars, for example, are masters in execution. Not only that, they are also masters at reading music. But if you ask for a classical musician to improvise a solo, you might be surprised that he can not do anything. How their work is very focused on execution and performance, the classical musician trains many hours every day, but with total focus on that. It does not usually train improvisation, with few exceptions. The consequence is that it ends up not developing other skills, and a simple situation (such as a jam session), it can embarrass. The best online guitar lessons for beginners can help you to learn different skills.
When you take the ground that a musician is accustomed to walk, you begin to better understand the definition of “good musician.” The very theme of “improvisation” just quoted is extremely broad. One thing is improvising on top of a well-known tone in 4/4 time. Another thing is improvise upon modulations in a 5/4 time. Even the best musicians in the subject “improvisation” could find themselves in hot water if exposed to unusual beats and chords or tones little practiced. The emphasis would change, the ranges of options, everything would change.
And there are great musicians of improvisation, jazz experts, bossa nova players, which also can play fast and also venture into the world of virtuosity. But this ones do not get along in the groove, the funk or the soul. Imagine that: a singer starts singing, the drums dictates the compass, but the riffs on the guitar not leave. The beat does not, does not fit the low setback. That is, a guitarist who is not accustomed to this style can also be seen as a bad musician, even though excellent in several other counts.
And what to say about the composition? Who never met a single musician who does not fill the eyes of the audience with their performances, but composing great music? Composition skills, arrangement, harmonization, ambiance, are also qualities that can be practiced and studied. We have strong and weak guitar players in these areas as well.
So in general, before you start an argument about who is the best, or even who is good, define what style and universe that you are referring to. Do not try to define who is also the fullest, because you hardly know evaluate all possible questions in a musician. And even if they knew well all possible variants skills, you did not see the musicians undergoing different situations. For example, you will hardly see a real situation of a famous musician trying to get a song on the spot. We have limitations of observation. We would need to make a very large battery of tests to find out who really is versatile. And after performing many tests, you would have a particular taste, your friend would have another, his cousin would have another opinion, and so on. Tastes and preferences are very personal and private.
In general, the technique, virtuosity and feeling are easier to judge at distance, so that all views are concentrated in this sphere. But understand that there is much more than that.